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Never did the late-career Johnny Cash's death rattle sound so at home as it did while picking its way through this grungy Soundgarden ballad, looking for a place to bury its axe.

It's the perfect complement to Fitch and his unique brand of combat, which seems to try to submit your soul more than your physical body.

Both are reminders that the worst kind of suffering doesn't always happen at the point of some high-octane, laser-guided prototype.

Sometimes it happens beneath sludgy, slow-grinding wheels.

When the venerable and careworn UFC Gladiator finally slouched away to that big focus group in the sky, his memorial service was depressingly bereft of mourners. I can't help but think of all those good years, all those gallons of adrenaline, all those members of Stemm who now have no readily discernible means of feeding themselves.

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But when Forrest comes bounding toward the cage with this rollicking barstool screamer in the background and everyone shouting along at the tops of their lungs, it could be the most underrated entrance of any era.Though I liked Disturbed but would prefer a smoother voice like Three Days Grace, Skillet, Thousand Krutch Foot, Nine Lashes, Green Days etc.As for rap well, they don't feel like singing but more like talking in a fancy style.But it's surprisingly effective as an intimidation tool, because it bestows the engagement with the feel of a reckoning.It's like he's saying, "I apologize in advance for the fact that I'm about to either kill you or die trying."Apparently the Nogueira brothers know their music.

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