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He whirls around for, or maybe with, her in the street. Samantha grows in intelligence and experience, and then she becomes distant. Theodore takes her to a cabin in the woods for a vacation, but she disappears into the cloud to confer with other O.
They play cute games as they wander through crowds. As the movie progresses, we learn that Theodore’s story is far more common than it first appeared. S.es, to think higher-order thoughts than she can put into words.
Johansson’s voice creates a cocoon, or environment, that incubates the romance.
Samantha and Theodore’s intimacy is more, not less, intense because Samantha is everywhere and nowhere, immediate and absent, emanating from inside Theodore’s head.
Talking to Pitchfork in March , his plan was to build a house in an even more remote area, on a nearby island.
We bought this property out there together during the cancer. If anything, I thought music was irrelevant to my life. It seemed self-indulgent to be focused on creativity in the way that I had been in the past.
After reportedly getting together this summer, Ledger's best friend Trevor Di Carlo, who has been helping Williams care for Matilda at her Brooklyn, New York, home, has given the new couple the seal of approval.
Samantha’s disembodiment means that Theodore never has to deal with anything sticky, bloody, or wet—anything other than a pleasing, metallic surface.
At first she is jealous that she doesn’t have a body.
Six hundred and forty-one: that’s the number of other people she’s in love with. Making a movie about voice is an odd, and unexpected, move for Jonze.
She’s a little commitment-phobic—her heart can’t be filled by one person. Since his very first skateboarding videos, Jonze has used the camera to track bodies, recording their perfect and messy and gross motion.